Summit Brass
The Summit Brass is an ensemble of brass players drawn strictly from American symphony orchestras. It plays both original works and arrangements and consists of about 16 players, though the number can vary widely (from two players on up to full size and beyond) during performance, depending on the repertory. Guest artists, like pianists and percussionists, often join the group. The ensemble is made up of four players each on trumpet, trombone, and French horn and three on tuba and one on euphonium. The players regularly tour the U.S., Europe, Asia, and elsewhere and have made numerous recordings, all issued on their off-shoot enterprise Summit Records.
Their repertory is fairly broad, taking in arrangements of works by J.S. Bach, Handel, Frescobaldi, Mussorgsky, Holst, Ravel, Shostakovich, Barber, Copland, Bernstein, and many original works by Hindemith, Eric Ewazen, Anthony Plog, Gunther Schuller, and a host of others. They also perform Broadway, jazz, and popular music selections.
The Summit Brass was formed in 1985 by trumpeter David Hickman, then a member of the St. Louis Brass Quintet. With the assistance of other ensemble members, he was able to attract a number of the finest brass players from symphony orchestras across the U.S., including New York, Boston, Chicago, and Los Angeles. By the late 1980s, the group had become internationally known from its many highly acclaimed concert tours.
The Summit Brass established its own recording label, Summit Records, around this time. Its first effort, Toccata and Fugue, featuring arrangements of works by J.S. Bach, Frescobaldi, and other Baroque composers, was issued in January 1994. The group was also regularly presenting works written for them, such as the Henri Lazarof Summit Concertante, which it premiered in 1996 and included on the CD Spirits of Fire, the following year. By the early years of the new century the ensemble, widely considered by then among the finest large brass ensembles in the world, had made numerous concert broadcasts on radio and television. The group also began taking part in the activities of the Rafael Méndez Brass Institute, an annual seminar on brass playing that features performances and instruction on brass playing.
Conductor
JOSEPH PARISI has inspired musicians and audiences internationally and is widely recognized as a conductor, educator, and performer whose work spans wind, brass, and jazz ensembles. A Curators’ Distinguished Professor at the University of Missouri–Kansas City Conservatory, he serves as conductor of the Conservatory Wind Ensemble and is a valued member of the conducting and music education faculty, and leads the arts management and entrepreneurship programs. Parisi’s artistry is grounded in a deep commitment to collaboration, expressive excellence, and the advancement of new and existing repertoire, with particular focus on engaging living composers and fostering meaningful artistic partnerships. His work has included collaborations with composers such as Jennifer Higdon, Chen Yi, Michael Daugherty, Cindy McTee, and Anthony Plog, among many others.
Since 2014, Parisi has served as principal conductor of Summit Brass. Known for championing contemporary music, he has commissioned and premiered numerous works that have significantly expanded the brass repertoire. During the 2024–2025 season, Summit Brass released a series of recordings featuring works by both emerging and celebrated composers; these projects are available on YouTube and have been widely shared through social media, reaching audiences around the world. These initiatives exemplify Parisi’s ongoing commitment to artistic innovation, collaboration, and global engagement.
In addition to his work at UMKC and Summit Brass, Parisi serves as principal conductor of the internationally award winning Fountain City Brass Band in Kansas City. He has extensive recordings as a conductor and performer and has had the honor of collaborating with distinguished artists worldwide. This stylistic breadth informs his teaching and conducting, enriching his work with students and professional musicians alike. Throughout his career, he has remained devoted to mentoring the next generation of musicians and educators, guided by a belief in the transformative power of music and its continued evolution.